CAROLINE MCMANUS
Interdisciplinary Artist
I work across and between installation, sculpture, performance, video and text.
I recently exhibited SUPERFETATION, a mixed media installation, at the Artists' Television Access Window Gallery in San Francisco. I'm currently showing a video installation in the international group exhibition "As Ice" at Castel Belasi in Trento, Italy, through October 26. Check out some press about the show. I'm also working as an Associate Producer on a documentary, Good Morning Buffalo, directed by Thomas Allen Harris.


State change of matter
Castel Belasi Contemporary Art Center for Eco Thought
Curated by Stefano Cagol
Composed of styrofoam, plastic bags and video projection. Dimensions variable.
This work utilizes the symbol of the ice bath to interrogate the connection between cycles of production, exploitation and ritual. “Self care” as it’s advertised in the United States has become an individualistic self-indulgence, plunging us deeper into the throes of a solipsistic, overworking culture. It’s framed in terms of productivity and efficiency and divorced from its origins in black feminist activist spaces, where the term referred to practices meant to sustain activism and survival in the face of systemic violence. The wellness industry continues to swell amidst historic inequality, appropriating language and sacred healing practices from across the world, sustaining a cycle of exploitation.
Awash in a culture of overwork and consumption, ritualistic practices like ice baths and saunas are exploding in popularity among people who can afford them. Their popularity signals a yearning for connection to self, but overuse and self-centered practices devoid of community create a distancing from self, and perpetuate a cycle of consumption and disconnection. The ice bath (as it’s advertised) promises to expunge toxins and fortify the body and mind. They also promise to alter your bodily and mental state. It’s ironic that cleansing practices to make people stronger are exploding in popularity as we learn of the accumulation of “forever chemicals” and microplastics in the body–asserting their permanence–as glaciers and other natural resources retreat and disappear.
When rituals become consumable goods, where are the opportunities for expansion and perspective? The popularity of these practices among the bourgeoisie do not seem to have cultivated a change in consciousness. Maybe they aren’t really working. Meanwhile, glaciers are changing their state: melting from ice to water, then evaporating into nothing–disappearing. We engorge ourselves with images and perpetual news cycles about climate disaster, but nothing seems to change.
SUPERFETATION
Artists' Television Access, San Francisco
Composed of the following elements:
WATER
FOUND OBJECT
Ikea pod chair.
AUTONOMOUS ROBOT:
Robotic goldfish.
TRASH, RESIN
GLAD ForceFlex trash bags cast in resin and plastic fish transport bag.
NETWORKED IMAGES ON TILE:
Stills from the 1988 film, “Baby M”. This film is based on a controversial case wherein a gestational laborer, Mary Beth Whitehead, was denied parenthood rights and portrayed as a hysterical, trashy woman in the media. In her bold feminist performance, Born to be Sold: Martha Rosler Reads The Strange Case of Baby $/M, Martha Rosler counters this narrative, which I aim to build off of in this work.
Superfetation is a second conception during pregnancy, which causes the womb-bearer to carry two, differently-aged embryos, growing parallel to one another. In a spectacular real-life case in the United States, a hired surrogate laborer, carrying what she thought were twins, learned upon giving birth that this was not the case at all. In fact, one child, which she thought had been an implanted embryo, was actually her own child, conceived with her partner. She immediately recognized the child as hers, yet she was required to relinquish both children: the contract she signed meant that her child was no longer her “property”.
As the surrogacy industry stands, both the working bodies and the born bodies become property. In the United States, the nuclear family structure produces, reproduces and protects property. Currently, the demand for surrogacy services among the global middle class is exploding at the same time that the nuclear family structure absorbs all demands that would otherwise be provided by community-centered care, and/or a functional welfare state.
This work utilizes the symbol and phenomenon of superfetation to explore themes related to the acceleration of consumption culture, private property, and bodies-as-property in a near-dystopian future accelerated by climate change.


ANAMNESIS
published by Inside the Castle as part of CASTLE FREAK Residency
2023 resident for generative literature composition. Residents must produce a 100,000 word work within a duration of 5 days.
Buy ANAMNESIS at Asterism Books:
https://asterismbooks.com/product/anamnesis
Launch event with Thomas Allen Harris at Powerhouse Arena
ANAMNESIS is an experimental participatory endurance piece.
ANAMNESIS is a multivocal screed.
ANAMNESIS was channeled. ANAMNESIS was not "made."
ANAMNESIS was co-created, as all things are.
ANAMNESIS contains the voices of people from around the world. ANAMNESIS contains spirits from another world.
ANAMNESIS exists as a book. ANAMNESIS is an object. ANAMNESIS is now made of paper.
You can put ANAMNESIS on your shelf. You can give ANAMNESIS to your friend. You can burn ANAMNESIS. You can bury ANAMNESIS.
You can read one page, one passage, or ANAMNESIS in its entirety.

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BLOODBATH I @ Black Brick Project Gallery
Part of "Phantom Dimensions" group show.
Durational performance with video projection, “This is Hormel” (1965).
Composed of the following elements: YOGA MAT, VIDEO ADVERTISEMENT, COLD PLUNGE TUB, PORK BLOOD, RITUAL.
240 minutes.
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I aim to interrogate how contemporary pseudo-self care culture purports to offer connectedness, but instead reproduces systems of domination: beginning with the desire to completely control the individual body, and ending with the increased efficiency of individual bodies to engage in disconnected or harmful work, enabling the status quo.
Divorced from community and severed from purpose, self-care rituals like cold plunges cultivate an increased pain tolerance and fortify the body. With this piece, I ask: get stronger and endure more pain, to what end, and for what purpose? To become more efficient in your job? To better meet the Western beauty standard? To serve and connect with the world around you?

DIZZY TV
Crab dinner in Berkeley
"Home Videos" group program
Curated by Bobbi Salvör Menuez


SUPERFETATION I
Scene from experimental video featured in Labocine's "Genetic Drift" program.